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| | | | Shekhar Sen is a unique theatre persona in many respects. He is talented, he is committed, he is contented, and he has a clear vision about his work in the theatre. Almost a decade back he presented TULSIDAS, followed by KABIR and then went on to add VIVEKANAND to his repertoire. His musical solo performances bring forth his exceptional talent as singer, actor, director and writer. Here Jyoti Vyas tries to fathom the phenomenal success of his theatrical expositions. |
Vijay Shanker
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How did you land on stage?
I belong to a musician�s family from Chhattisgarh and I came to Mumbai to give music to films. For five years nothing of consequence happened and this failure lead me towards spiritualism. I started giving devotional music concerts; recorded cassettes with research-based themes; worked for HMV on a five year contract. And things started shaping well. I went to the U.S A. in 1997 to attend the conference on Ramayana; it was an ey  • |
| | | | I was nervous. I was terribly late for my tête-à-tête with Suruchi Aulakh. The door of her house was covered with a child's artwork. In the centre, was her daughter Ananya's sketch of her mother and herself, smiling the widest smiles ever. Soon enough Suruchi put me to ease. She was warm and forthcoming in the conversation that followed. The actress has been an integral part of Mumbai theatre for nearly two decades. She has worked with significant directors- from Naseeruddin Shah to Sunil Shanbag and has collaborated with new writers and theatre groups. She also runs her own company. |
By Gaurangi Dang
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Gaurangi Dang (GD): Tell us about yourself.
Suruchi Aulakh (SA): I was born and brought up in Bombay. Then when I was in the ninth grade, I went to this boarding school called Rishi Valley in Andhra Pradesh. In a way Rishi Valley is like a regular ICSE school. You have to write your ISC and ICSE exams
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