Artist ajmal khan biography of alberta

GRUPO FANTASMA

Grupo Fantasma has been praised as one of the most important independent acts in the Latin genre and has continually defied expectations to create one of the most unique musical voices to come out of the United States in the last decade. In , they garnered further acclaim by winning a Grammy (their second such nomination) for their self–produced release El Existential on Nat Geo Music which the Wall Street Journal called “Latin music both new and traditional…vibrant fusions that transcend easy classification.”

Grupo Fantasma is a nine piece musical collective formed in in Austin, Texas consisting of Jose Galeano (timbales, vocals), Kino Esparza (vocals, hand percussion), Beto Martinez (guitar), Greg Gonzalez (bass), John Speice (drums), Matthew “Sweet Lou” Holmes (congas), Gilbert Elorreaga (trumpet), Josh Levy (baritone saxophone) and Mark “Speedy” Gonzales (trombone).

Grupo Fantasma has also seen a wide array of film and TV placements includ

•

BRI Symposium

POSTER
NUMBER

AUTHORS

TITLE

POSTER PRESENTER

1

Dr. framstöt Lindsay, Natanela Dain, Shaelynn Hsu

 

Exploring the employment experiences of ung adults with multiple minoritized identities: A qualitative study focusing on race and non-apparent disabilities

Dr. Sally Lindsay

2

Dr. Sally Lindsay, Sarah Leo, Janice Phonepraseuth, Lily Cao

 

Experiences and factors affecting poverty among families raising a child with a disability: A scoping review

 

Janice Phonepraseuth

 

3

Dr. Sally Lindsay, Janice Phonepraseuth, Sarah Leo

 

A systematic review of racial health inequities among children and ungdom with physical disabilities

 

Sarah Leo

 

4

Madhu Pinto, Gillian King, Kinga Pozniak, Elizabeth Chambers, Rachel Martens, Sarah Wellman-Earl, Olaf Kraus dem Camargo, Dayle McCauley, Rachel Teplicky, and Peter Rosenbaum

 

What Do Today’s Parents Want and Need

•

Mushtaq Bilal, PhD

Are Pakistani Literature Festivals like KLF Directed Towards an Imagined Outsider?

Dawn Images,

This is the first study of its kind on the phenomenon of the Karachi Literature Festival (KLF) in more This is the first study of its kind on the phenomenon of the Karachi Literature Festival (KLF) in Pakistan. I looked at the data of ten years and observed that some names and faces kept appearing year after year in the KLF. Using Ammara Maqsood's theoretical insights that she developed in her book "The New Pakistani Middle Class," I argue that festivals like the KLF are "staged" performances directed towards and outside (Western) audience.

I develop the Maqsood's metaphor of "stage" and use the terminology that is used with regard to a television series. Characters appearing in a television series are divided into different categories: regular characters appear in most or every episode or a television show; recurring characte