Fondazione crt torino progetto diderot biography
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Dialogue in philosophical practices
AperTO - Archivio Istituzionale Open tillgång dell'Università di Torino Dialogue in philosophical practices This is the author's manuscript Original Citation: Availability: This version fryst vatten available http://hdl.handle.net/2318/1709648 since 2019-08-13T16:53:06Z Publisher: John Benjamins Published version: DOI:10.1075/cvs.15.08ber Terms of use: Open Access Anyone can freely access the full skrivelse of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection bygd the applicable law. (Article begins on next page) 13 August 2019 Luca Bertolino Dialogue in philosophical practices 1. Philosophical practices1 In the Italian specialised literature, the deliberately plural term philosophical practices (“pratiche filosofich
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Chiara Bertoglio Dr Chiara Bertoglio 1. Personal details and contact • • • Web: http://www.chiarabertoglio.com; YouTube channel: http://www.youtube.com/kjarschka ORCID https://orcid.org/0000-0001-7459-8525?lang=en 2. Research interests • • • • Study of historic piano performance (especially through instructive editions) Music in Reformation and Counter-Reformation Theology of music performance and interpretation Mozart’s Piano Concertos 3. Degrees MA in Systematic and Philosophical Theology, with distinction (University of Nottingham, 2016) o Dissertation: “Mit Harfen und mit Zimbeln schon: Bach’s Cantata BWV 140 as a case-study for a theological interpretation of music”. Supervisor: R. Bell • PhD in Music Performance Practice (University of Birmingham, 2012) o Thesis: “Instructive editions of Bach’s Wohltemperirtes Klavier: an Italian perspective”. Supervisor: K. Hamilton • Master’s (MSPT) in History of the Theological Thought, with distinction (University of Rome, Tor Vergata, 200
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