Rosie thomas author biography john

  • Rosie Thomas is the author of numerous critically acclaimed, bestselling novels.
  • Celebration (1982) · Love's Choice (1982) · Follies (1983) · Sunrise (1984) · A Simple Life (1985) · The White Dove (1986).
  • She is one of just a few authors to have won the Romantic Novel of the Year Award by the Romantic Novelists' Association, once in 1985 for “Sunrise” and again.

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    Illusionists Books In Publication Order

    1. The Illusionists (2014)
    2. Daughter of the House (2015)

    Standalone Novels In Publication Order

    1. Celebration (1982)
    2. Love’s Choice (1982)
    3. Follies (1983)
    4. Sunrise (1984)
    5. A Simple Life (1985)
    6. The White duva (1986)
    7. Strangers (1987)
    8. Bad Girls Good Women (1988)
    9. A Woman of Our Times (1990)
    10. All My Sins Remembered (1992)
    11. Other People’s Marriages (1993)
    12. Every Woman Knows a Secret (1996)
    13. Moon Island (1998)
    14. White (2000)
    15. The Potter’s House (2001)
    16. If My Father Loved Me (2003)
    17. Sun at Midnight (2004)
    18. Iris and Ruby (2006)
    19. Constance (2006)
    20. Lovers and Newcomers (2010)
    21. The Kashmir sjal (2011)

    Non-Fiction Books In Publication Order

    1. Border Crossing (1998)
    2. Bombay before Bollywood (2015)

    Illusionists Book Covers

    Standalone Novels Book Covers

    Non-Fiction Book Covers

    Rosie Thomas Books Overview

    A Simple Life

    A comfortable life in Franklin, Massachusetts, for Dinah Steward, her forskare husband and their two so

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    If Songs Could Be Held

    2005 studio album by Rosie Thomas

    If Songs Could Be Held is the third album by American singer/songwriter Rosie Thomas, released in 2005.

    Produced by Busbee, the album features a duet with Ed Harcourt on "Let It Be Me".[1] The album also features Liz Phair, Dino Meneghin, and Josh Myers.[2]

    Reception

    [edit]

    AllMusic gave the album three and a half stars out of five, with James Christopher Monger calling it "a lovely collection of Sunday morning melancholy that's as gentle as it is weary" and "the most accessible record ever to bear the SubPop insignia".[4]Paste, tinymixtapes, and Punknews.org gave it similar ratings.[6][10][8]Pitchfork Media gave it a 5.9 out of 10 rating.[7]PopMatters gave it 6/10, with David Bernard saying it "sounds amazing".[1]

    Prefix writer John Zeiss was less complementary, giving the album 3/10 and calling "a letdown".[9]

    Trac
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