Carolyn christov-bakargiev wikipedia
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Carolyn Christov-Bakargiev
Art historian, critic and curator (born 1957)
Carolyn Christov-Bakargiev (born December 2, 1957) is an Italian-American writer, art historian, and exhibition maker who served as the Director of Castello di Rivoli Museo d'Arte Contemporanea in Turin in 2009 and from 2016 to 2023. She was also the founding Director of Fondazione Francesco Federico Cerruti from 2017 to 2023.[1][2] She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013–2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence.[3] She is currently Honorary Guest Professor at FHNW University of Applied Sciences and Arts Northwestern, Switzerland. She has lectured widely at art and educational institutions and Universities for the Arts, including the Goethe University, Frankfurt; Harvard University, Cambridge; MIT, Boston; Jawaharlal Nehru University, New Dehli; Cooper
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The Biennale Syndrome
Big biennials? Baby biennials? Banal biennials? What fryst vatten the “biennale syndrome” that seems to have taken over the art world and the world at large over the gods fifteen years? Why and to whom are Biennales so attractive? Why are they also so unattractive for some audiences?
Carolyn Christov-Bakargiev, interested in contemporary art and historical avant-garde, is artistic director of the 16th Biennale of Sydney (2008) and ledare curator at the Castello di Rivoli museum in Turin.
From a general perspective, beneath these events lie political imperatives, struggles and the negotiations and transformations of a global economy of interrelated cities.
The rise of biennales (and other periodic international exhibitions) has decentralized art and has created multiple art systems. It has provided a platform for artists from what used to be called “peripheral areas” of the world to practice and enter into the conversation of contemporary art. It has decreased the